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Adobe photoshop cc 2018 shortcuts pdf free |
Adobe photoshop cc 2018 shortcuts pdf free.Adobe Photoshop
Make it. Minimum and recommended system requirements for Photoshop. Language versions available for Photoshop. Windows and macOS. Photoshop is available in the following languages:. System requirements for Adobe Camera Raw. More like this System requirements Adobe Camera Raw System requirements Photoshop on mobile Photoshop system requirements Earlier releases Older versions of Photoshop System requirements and supported languages.
Sign in to your account. Sign in. Quick links View all your plans Manage your plans. Photoshop remembers your last transform behavior setting—proportional or non-proportional scaling—it will be your default transform behavior when you start Photoshop the next time. For detailed instructions, see Scale, rotate, skew, distort, apply perspective, or warp. Transforming scales, rotates, skews, stretches, or warps an image.
You can apply transformations to a selection, an entire layer, multiple layers, or a layer mask. You can also apply transformations to a path, a vector shape, a vector mask, a selection border, or an alpha channel. Transforming affects image quality when you manipulate the pixels. To apply non-destructive transformations to raster images, use Smart Objects. See Work with Smart Objects. To make a transformation, first select an item to transform and then choose a transformation command.
If necessary, adjust the reference point before manipulating the transformation. You can perform several manipulations in succession before applying the cumulative transformation. For example, you can choose Scale and drag a handle to scale, and then choose Distort and drag a handle to distort.
Then press Enter or Return to apply both transformations. Photoshop uses the interpolation method selected in the General area of the Preferences dialog box to calculate the color values of pixels that are added or deleted during transformations. This interpolation setting directly affects the speed and quality of the transformation. Bicubic interpolation, the default, is slowest but yields the best results.
Original image B. Layer flipped C. Selection border rotated D. Part of object scaled. Enlarges or reduces an item relative to its reference point, the fixed point around which transformations are performed. You can scale horizontally, vertically, or both horizontally and vertically. Turns an item around a reference point.
By default, this point is at the center of the object; however, you can move it to another location. All transformations are performed around a fixed point called the reference point. By default, this point is at the center of the item you are transforming.
However, you can change the reference point or move the center point to a different location using the reference point locator in the options bar. The reference point is hidden by default. To show the reference point , click select the check box next to the reference point locator in the options bar.
You can apply various transform operations such as Scale, Rotate, Skew, Distort, Perspective, or Warp to the selected image. If you are transforming a shape or entire path, the Transform menu becomes the Transform Path menu. If you are transforming multiple path segments but not the entire path , the Transform menu becomes the Transform Points menu.
When you transform a bitmap image versus a shape or path , the image becomes slightly less sharp each time you commit a transformation; therefore, performing multiple commands before applying the cumulative transformation is preferable to applying each transformation separately.
To cancel the transformation, press Esc or click the Cancel button in the options bar. If you are transforming a shape or entire path, the Transform command becomes the Transform Path command. This mode is available for the Shape tools when fill region is selected , Paint Bucket tool , Brush tool , Pencil tool , Fill command, and Stroke command. You must be in a layer with Lock Transparency deselected to use this mode. Looks at the color information in each channel and selects the base or blend color—whichever is darker—as the result color.
Pixels lighter than the blend color are replaced, and pixels darker than the blend color do not change. Looks at the color information in each channel and multiplies the base color by the blend color.
The result color is always a darker color. Multiplying any color with black produces black. Multiplying any color with white leaves the color unchanged.
The effect is similar to drawing on the image with multiple marking pens. Looks at the color information in each channel and darkens the base color to reflect the blend color by increasing the contrast between the two. Blending with white produces no change. Looks at the color information in each channel and darkens the base color to reflect the blend color by decreasing the brightness.
Looks at the color information in each channel and selects the base or blend color—whichever is lighter—as the result color. Pixels darker than the blend color are replaced, and pixels lighter than the blend color do not change. The result color is always a lighter color. Screening with black leaves the color unchanged. Screening with white produces white.
The effect is similar to projecting multiple photographic slides on top of each other. Looks at the color information in each channel and brightens the base color to reflect the blend color by decreasing contrast between the two. Blending with black produces no change. Linear Dodge Add. Looks at the color information in each channel and brightens the base color to reflect the blend color by increasing the brightness. Multiplies or screens the colors, depending on the base color.
Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the base color. The base color is not replaced, but mixed with the blend color to reflect the lightness or darkness of the original color.
Darkens or lightens the colors, depending on the blend color. The effect is similar to shining a diffused spotlight on the image. Painting with pure black or white produces a distinctly darker or lighter area, but does not result in pure black or white. Multiplies or screens the colors, depending on the blend color. The effect is similar to shining a harsh spotlight on the image. This is useful for adding highlights to an image.
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